The first time I visited the Boilerhouse Gallery was around 20 years ago. It had a beautifully creative vibe with just the gallery and 4 studio spaces nestled at the foot of Corfe Castle next to the Victorian railway station… what a location! I was lucky enough to be part of the Boilerhouse cooperative for several years meeting many wonderful people along the way. Moving on to the present, the Boilerhouse Gallery is now the heart of a wider community of creatives called Sandy Hill Arts. This newly founded charity will be putting on exciting events throughout the year and yesterday I experienced my first music event… it was AMAZING! The psychedelic ballads and experimental music of The Good Beast was so good and totally original, especially their final song about a mole (really!) which got the crowd up, dancing and interacting with the musicians. I loved catching up with old friends and meeting new, enjoyed delicious locally sourced food from the Salt Pig, felt especially special that I have this wonderful venue on my doorstep and that hidden away in these nooks of Purbeck people exist who are dedicated to creativity, music, connecting with nature and their wider community.
People have been asking what I’ve been up to since my last post, which was some time ago!
After the craziness of Purbeck arts weeks and catching up with commissions, in July I began a new venture… making ceramic travel cups. Those of you who know me are well aware of my eco stance and so when approached with the idea of making a product that would potentially keep takeaway cups out of landfill my first thought was surprisingly ‘no way’… I am not a production potter! However, once the idea settled and I thought about how massive the takeaway cup problem is my second thought was a massive ‘yes’… I’ll do pretty much anything to help stop unnecessary waste!
My aim was to design a cup that didn’t look like a takeaway cup, a cup that was nice to drink out of and comfortable to hold. It had the technical restraints of having to hold 12oz of liquid (which is the typical amount served at cafes), had to fit a silicone lid exactly as well as the silicone heat grip and it needed to be of a size that fitted in car, pushchair, etc cup holders – getting this right was not as easy as it might sound especially when you bear in mind that clay shrinks at each stage of the making and firing process!
With minimal time to work on the cups I called in the help of master potter Alan White who has decades of experience working at Poole Pottery. Together, after several attempts, we got the cup right, but how was the cup going to be glazed?
I wanted the cups to be inspired by the Purbeck countryside and coast, so my first cup is based on the beautiful blue green tones of the sea at Studland. It took several attempts and numerous glaze tests to get the colours right but I’m very happy with the end result… and so are my customers!
I’ve sold lots of cups already and have taken on some big orders which is incredibly positive. I haven’t set up an online selling point yet, but this will come soon. I hope that people realise how important re-usable products are and see the value in buying something handmade. The cups make a perfect Christmas pressie!!
Trees are amazing and inspiring. This Holly tree must be very old, it has incredible patterns on its bark, I actually love it! I wonder what a Holly ash glaze would look like. I’ll give it a go!
I’ve been thinking a lot about layers in the earth and the landscape and how I can express this concept in my pottery. I also want to experiment with different ways of using slip. So, I made a pot out of layers of slip! Was worth trying it out but not something I want to do again!
Today is grey and cold – I want to stay indoors! My daughter insists that we go to Kimmeridge so that she can use her new acrylic paints. Reluctantly I agree. I’m so glad she talked me into going, I had forgotten how amazing and truly inspiration this place is. Whilst she happily covers every item of clothing that she’s wearing in acrylics (ruined!) I race around like a lunatic excited by the forms, textures, compositions and colours in the rocks. I’m thinking about how I can use what I’m experiencing in my new pottery. I’m buzzing with ideas. The sun comes out, the grey vanishes and I go home very happy.
Whenever I’m out walking and see beautiful forms in the landscape I always want to recreate them in clay. Bull thistles look particularly amazing this time of year creating striking silhouettes in the sky. I keep thinking whether my new pottery should be sculptures or pots – perhaps I can do both! In the meantime, I enjoy painting a collection of thistles that I gathered, snuggled up with the warmth of the fire and a hot cup of tummuric chai. I must make sure I dip the paint brush in the right cup!
Last week I spent a couple of hours just playing! I wanted to explore working with slabs of different coloured clay. Because the clay takes so long to refine, I’m only using tiny amounts to works with. For the past few years my pottery has been quite big so I’m finding working small scale quite tricky. I’m also trying to be looser in my making technique and to not worry about symmetry which is SO difficult. Fairly happy with the result. I love the different coloured clays, the textures and the wood ash glaze. The design was inspired by some of my sketches of the landscape. The end result isn’t amazing but I enjoyed the process.
Kiln opening is often the highlight of my day… especially when glaze experiments actually work! I take my very ugly pot and plate out of the kiln and am surprisingly happy with the result of the clay slip and ash experiment. The dark red slip looks amazing next to the green wood ash. I love how the sea weed ash glaze has eaten into the clay and bubbled to create texture. Today is a good day!
I’ve been thinking about how a slip made from my collected clay would work when brushed onto bisque fired ware – typically I only use slip on unfired clay/greenware. Using a pot I find lying around the studio (which looks like a potato), I slop on clay slips of different colours and splash some wood ash on as well. Getting carried away (!), I also pile loads of seaweed ash onto a bisque fired plate and also onto a small test bowl – I want to see if a thicker layer of ash will form a glaze. Hopefully, the results will be more interesting than the last ones, but if everything I tried worked first time I’d find pottery very boring. So, whilst experimental pottery can be frustrating, it’s also incredibly rewarding!
Pants! The clay couldn’t shrink evenly in the firing because of the shells and so consequently have crumbled. I seem to remember I should have low fired the shells first to calcify them? Oops! Also, there’s no trace of the seaweed that I put on the test bowls. For a moment I feel like giving up. But actually, the first ‘not quite totally broken’ test tile is actually quite an interesting texture which might be usable. It reminds me of the land next to where my uncle lived. In the summer, the land became totally cracked and broken. As a young child, I remember wondering why it looked like that – it was totally puzzling and very mysterious! I know now that it was dry clay, but at the time I thought it looked like a planet from Dr Who! And the seaweed glaze, well… I’ll do it again but with more ash. I AM NOT GIVING UP!!